Create a Photomanipulation of a Shark and a Diver

Step 19

Add Adjustment Layer “Levels” and press Ctrl/Cmd + I to invert. Then use Brush Tool(B) Soft Round with foreground color white and paint on dark parts.

Step 20

Next, Go to File > Place and open Bubbles stock photo. Place it and position the image with the transform tool (Ctrl / Cmd + T). Hold Alt + Shift and resterize like image below. Create layer mask and use Brush Tool(B) Soft Round with foreground color black and start painting left corner like as image below. Blend mode change to Lighten.

Step 21

Now add Adjustment Layer “Levels” to make visible only bubbles.

Step 22

Place another Bubbles, Go to File > Place and open Bubbles stock photo. Place it and position the image with the transform tool (Ctrl / Cmd + T). Hold Alt + Shift and resterize like image below. Create layer mask and use Brush Tool(B) Soft Round with foreground color black and start painting like as image below. Blend mode change to Lighten.

Step 23

Add Adjustment Layer “Curves”

Step 24

Next, Go to File > Place and open Underwater1 stock photo and place it to our work canvas. Blend mode change from Normal to Multiply with Opacity 25%.

Step 25

Add Adjustment Layer “Gradient Map” and blend mode change to Soft Light with Opacity 65%.

Step 26

Add Adjustment Layer “Color Lookup” and for 3DLUT File select Kodak 5218 Kodak 2383. Opacity reduce to 50%.

Step 27

Create a new layer and change Blend mode to Soft Light then use a Brush Tool(B) Soft Round with foreground color white and Size to 3000px. Then paint to the top of the image.

Step 28

Now repeat the same process from the last step but only blend mode is Normal and Opacity is 18%. See the picture below…

Step 29

When we finished all this, now merge all layers to one. Slecet the last layer and hold CTRL/CMD + SHIFT + ALT + E. Now we have a final layer, right click on mouse and select Convert to Smart Object. Then go to Filter > Camera RAW Filter. At its most basic, the Photoshop Camera Raw filter allows you to use the functions of the ACR interface at any time within Photoshop. This allows you to make any adjustments within ACR at any time during your workflow instead of just limiting its usage to theraw processing stage.While it would be possible to import your working file into Lightroom to make the same sets of adjustments, doing this in Photoshop saves you from that cumbersome step. It allows you the use of these tools without any extra effort.

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