Learn how to create this beautiful, Christmas night and fairytale photo manipulation in Photoshop. This tutorial shows how to develop a amazing and magical landscape of the mysterious expanse of stars! Using photo manipulation techniques coupled with some interesting color discoveries and a variety of tools. Read this tutorial and immerse yourself to atmosphere of a magical fairy tale.
I conceived this work as fairy card. I really wanted to convey the mood of magic and tranquility. In this tutorial we will begin with the creation of the landscape and adding the basic details. The next step will be to work on the main characters and turning day into night. In the final steps, we will work on the starry sky and the final effects. So, you need a belief in magic, good humor, a little diligence and you can use any version Photoshop from CS onwards will be fine as well.
- Polar bears – Stockpholio
- Polar Bears Mini – Maria Semelevich
- Mount everest – Pixabay
- Cloudy Alps – Burtn
- Forest landscape – Pixabay
- Alps village – Pixabay
- Full moon – Pixabay
- Star sky – Maria Semelevich
- Map of constellations – Maria Semelevich
- Constellations brush set – Maria Semelevich
Opening Photoshop and get started! Create a new document at 3840 pixels wide and 2400 pixels height, resolution 300 Pixels/Inch. Place first image “Cloudy Alps” in working document (Go to File > Place (Place Embedded)). This is the first plan and the basis for the construction and location of mountains.
Resize (Cmd/Ctrl + T or go to Edit > Free Transform) image so that image covered all the working area. Not to raise much forefront not to get deviated perspective. After all, we look from the hill.
Go to Quick Mask mode (Q), set default Foreground and Background colors (D) and switch them (X). Take Brush Tool (B) on toolbar and set following settings to it – Size: 400px, Opacity: 100%, Hardness: 60%. Select all (you will draw a red color and it is normal, that work quick mask) to the white field and the first plan. Also leave grounds the mountains. This is useful for us to create a transition from one of the mountains to the other. If you draw on in the wrong place, just switch color (X) to white and remove it.
Again press Q or click on Quick Mask mode icon to make selection from red area and add a layer mask (clicking on the “Add Layer Mask” button in the layers panel or by going to Layer > Layer Mask > Hide Selection) to hide unwanted landscape.
Add image of Everest mount into working document under layer with foreground landscape. Resize it to leave only fragment with big mount and move down image a bit. If necessary, go back to the previous layer mask and make a smooth transition between images (Brush Opacity: 60%, Hardness: 0%).
Now fill in the lack of the sky. To do this, I used Gradient Tool (G) with Linear form and preset “Foreground to Transparent”, foreground color – black. Create a new layer above Everest mount image (use “Create new layer icon” on layer panel or hot keys Cmd/Ctrl + Opt/Alt + N) Draw a gradient from top to middle of working area. Create a new layer under gradient layer (Cmd/Ctrl + Opt/Alt + N) and use soft round brush (Opacity: 100%, and color #0c1939) to draw on free space between image and gradient. Merge there two layers into one by using Cmd/Ctrl+ E or right click on selected layers > Merge Layers.
Use Quick Selection Tool (W) and select mountains. Use Eraser Tool (E) on gradient layer to remove it from mountains. To deselect use Cmd/Ctrl + D or Select > Deselect.
Now I return to foreground rocks and decided to slightly change color tone. For this I used an adjustment layer “Color Balance”. Go to Layer > New Adjustment layer > Color Balance… or click on icon on a Layer panel). Set values to each color and tone as shown in image below, set layer Opacity around 70% and create Clipping Mask from this layer (right click on layer > Create Clipping Mask or use Cmd/Ctrl + Opt/Alt + G). In this photomanipulation the stones with a blue shade will look more realistic and not distracting. Among other things, we have a night landscape.
Now that we have created a basis of the picture, you can start adding the main parts. So you do not mess up I’ll start with the village. As with all previous images place image “Alps village” in working document, on top of all previous layers (I always open the folder with my resources, and for ease of operation drag the desired image in the working document). Do not worry about the little scary view of the village. I will correct it a little later. Use the Free Transform tool (Ctrl/Cmd+T or Edit > Free Transform) to resize the layer like shown in the image below.
I use Pen Tool (P) to create a flat path and then create selection from path (right click > Make Selection, Feather radius 0px). Add a layer mask to remove interfering houses. In this photo manipulation I use fragments of houses in the middle of everything else I removed, because the other houses portions are in a different scale.
Now make the village a little more. I chose a small fragment of houses, duplicate original layer (Cmd/Ctrl + J or Layer > Duplicate layer) and on the layer mask removed all unnecessary, except the required fragment. Use Move tool (V) to move fragment in desired location. To flip horizontally, go to Edit > Transform > Flip Horizontal.
The same piece I located in other place, as shown in the figure. Principle I think you misunderstood and can create your own version of the village. I added another piece to bridge the houses. Now I will correct color of houses. Do not think that the night could hide all the defects. It is much easier to create a light, when all objects in the same key. First you need group all layer with village (select layers and use Cmd/Ctrl + G or layer > Group Layers). Now add adjustment layer “Selective Color”.
Now add adjustment layer “Selective Color”. For Red colors set: Cyan: -91, Magenta: -87; for Cyan colors: Black: -100; for Blue colors: Black: -100; for Neutrals colors: Cyan: +5, Magenta: +1, Yellow: +13, Black: -32. This correction make village on normal colors without blue tint. Clip this layer (Cmd/Ctrl + Opt/Alt + G) to group and move on.
Once we have dealt with the landscape and the village, you can proceed to the vegetation. Place image “Forest landscape” in working document (File > Place (Place Embedded)). Flip Horizontal image (right click on Transform mode > Flip Horizontal) and resize it with Transform Tool (Ctrl/Cmd+T or Edit > Free Transform).
Use Quick Selection Tool (W) to select the left fragment of forests and remove everything else by adding a layer mask. Go to mask settings (double click on mask and you go to Properties tab) and click on “Mask Edge” button. In “Refine Mask” set check-box on “Smart Radius” and make Radius: 3.0px. Then set Shift Edge: -20%. Use brush in this window to remove the excess from the edges of the forest and click OK.
Group all forest layers and use Quick Selection Tool (W) to select foreground rocks, inverse selection (Shift + Cmd/Ctrl + I) and add a layer mask to forest group. That remove unnecessary details and and return to realism. You may notice that I have left place unfilled a forest. This is for polar bears. They will close all the background and use the forest there does not make sense.
Similarly to the villages steps, continue to cover the empty space by using forest image. Use a layer mask to hide unnecessary and leave the good parts. For each piece of the forest I used duplicate (Cmd/Ctrl + J or Layer > Duplicate layer) original forest layer and chose interesting pieces and operated by the above mentioned scheme. Resize and rotate pieces of forest so it did not look monotonous.
Now that you’ve finished with the forest, you can add the bears in this work. To forest we go back a little after. First, large bears. Place image “Polar bears”, Resize it as you want (Cmd/Ctrl + T), Flip Horizontal and use Pen Tool (P) to create path and then selection. Create contour is not on the edge, and on the bears to hair be a little beyond of the outlines. Be sure to select all paths by using Path Selection Tool (A).
Add a layer mask to this layer. Take a Brush Tool (B) chose brush form “Dune Grass” from Photoshop brushes, Size: 30px, Opacity: 100% and go to brush settings (F5). Remove the checkboxes from “Color Dynamics” and “Transfer”. Set default Foreground and Background colors (D) and draw on layer mask a brush, in the direction of wool. It’s a bit tedious procedure, but as a result you will get the perfect wool on a bears.