Learn how to create a retro-style wallpaper with this Photoshop tutorial! This tutorial will show you how to create a wallpaper with shiny textures, loads of lens flares, and bright colors. Have fun!
Preview of Final Results
Create a new document in Photoshop. Make it 1920 by 1200 which is a standard HD Wallpaper size. Now fill the document with black.
Now open up your mountain/clouds picture and select the bit of clouds that you want in your background, or choose another background that you’d like for your wallpaper.
Copy and paste the image you’d like (clouds in this case) into your wallpaper.
Go to Image>Adjustments>Exposure and bring down the exposure and the offset and bump up the gamma a bit. This will creat some contrast and darken up your image so it’s punchy.
In a new layer, use your marque tool and create a rectangle and fill it with white.
Duplicate this white rectangle layer many times and start lowering the opacities at random levels. This will create something like the image bellow.
When you’ve made about 10-20 dupicated layers with random opacities then go ahead and group them (highlight them all and hit ctrl/cmd + G) and then dupicate the group a couple of times to save you time. Then simply spread out the groups of rectangles by clicking and dagging them so they look randomish. This step is purely to save you time, and you can skip it if you want the ultimate random look to your wallpaper, but it will just take you longer.
When you’re satisfied with your rectangle shape collage, form one final group with all your single rectangle group layers. If you’ve created multiple subgroups, then just group them all so that you can hit ctrl/cmd + T and rotate them all 45% to one side like so.
This design that we’re doing is a “V” shape, so you need to highlight exactly one half of the wallpaper (to the opposite side you rotated your rectangle group) and create a mask. This will hide the portion that you haven’t selected. Then invert the mask by hiting ctrl/cmd + I. You could also do this step by selecting the side you want to keep and hitting the mask button for the exact same result.
Then you can either move your group around so it looks like half of a “V” shape, or you can make a diagonal selection and mask out that region as well so you end up with something like this. You can do this editing on your mask layer by selecting it. Just remember that whatever is in white will show up, and whatever is in black will be invisible.
Once you’re satisfied with your masking, go ahead and duplicate the group and flip it by hitting ctrl/cmd + T, then right clicking and hitting “flip horizontal”. Now you should see something like this.
This is a checkpoint. Your layers should look similar to this. Now to save you space and memory, and make sure your computer doesn’t get bogged down by the size of the photoshop document you can duplicate this layer to make a copy, turn off the visibility (in the layers menu… it looks like an eye… click it!) and then flatten your new copy so it becomes a flat layer.
Now double click on your flattened layer to open up the layer styles, and jump down to gradient. We’re going to do a rainbow gradient so create something similar by just choosing basic a basic red, orange, yellow, green, blue, and purple and place them however you choose.
As soon as your satisfied with your gradient, duplicate the layer with all the styles and simply drag it downwards a tad.
Duplicate the layer you just moved down (total of 3 “V” shape layers now) and on this duplicate, set the blending mode to “soft light” Now you’ll start to see some highlighed areas.
Duplicate the top layer that you just put in screen mode. Remove the layer styles, we just want it to be white. Now set the layer blending mode to “Linear Dodge” or “Add”. Now you should see major highlights like below.
The highlighting is very intense though, so we need to take it down a notch. We’ll do this by making a layer mask on the layer set to “Add” mode. Create a mask by clicking the mask button in the layers menu and using a large soft brush with a lowered opacity, perhaps somewhere around 25%, paint blotches here and there similar to this pattern below. This just makes the light look more random.
Now that the highlighting from the “Add” layer has been taken down a peg, you should see something like this. With bits and pieces of highlighting here and there. We want something kinda random so it looks like it’s shiny and reflecting light. The shininess is a typical retro style effect.
Duplicate the “Add” V-shape layer and set it’s blending mode to “Overlay”. Now invert the color from white to black. We’re starting to give the shape a color contrast in the shadows now instead of the highlights.
Duplicate the top “V” layer once more and set the blending mode to “normal”. Then set the opacity down to 50% or so.
Duplicate the top layer once more keeping the blending mode at “normal” and set the opacity at 100%. Don’t be alarmed if a lot of the image has been blacked out at this point, we’ll bring back some of it in the next steps. BUT: if it is completely black right now, we have problems, you’ll need to play with your black “V” shape layers so that you see some color “V” layers underneath them.
Now it’s time for the lens flares… another trademark look of the retro style. Create a new layer on top of everything else, and fill it completely with black. Then take your lens flare brush and get it to an appropriate size and place a lens flare on the canvas where it will be overtop of the “V” shape. You only want to be placing flares on your shape, but you’ll be able to move them around later.
Now create a new layer and taking your marque tool, select a rectangular area on the top or bottom half (it doesn’t matter which) of your flare. We’re going to make a flare “burst”.
Taking a large soft brush, but not too large that it’s bigger than your rectangular selection, create a white half circle like so.
Now it ctrl/cmd + T and rotate the flare “burst” to -45% or whatever looks good to you.
Merge the lens flare layer with the flare “burst” layer. It shouldn’t change the look, but it will make it one object that you can move around and adjust later.
Then set the blending mode to “Linear Dodge” or “Add” mode. You should see that the light looks very intense and shiny which is exactly what we’re going for.
Now you get to duplicate the flare layer as many times as necessary to get a good number of flares over your shape. I resized certain flares here and there so they look slightly random and unique. Once you’re done with that, group all the flares layers so you can keep track of them if you’d like.
Open up your paper layer and select a good portion that you want to use. This will serve as a vintage texture, and you can get creative by finding other images with an “old” look to them like scratches or grungy textures.